Crude, irreverent, boring – it’s an easy decision.
There are also some crude jokes that will go over children’s heads. The Norse gods are presented as living, breathing characters, who perform rituals and possess humans, adding to the uncomfortable false religious feeling of the movie. Coyote-style action with chases and outlandish traps. This plot is harebrained and gets in the way of the frequent computer animations. Tim’s dog buried it in the backyard, but Loki won’t rest until he gets it back. Meanwhile, Loki, the son of a Norse god (the movie deals heavily in mythological gods) is roaming the earth to find the mask. When Tim and his wife have a child, Tim quickly sees that his baby has special powers like those from the mask. His dog finds a magical mask that turns its wearer into a living cartoon character, and Tim uses it to make a big splash at work. SON OF THE MASK is technically a sequel to the 1994 Jim Carrey movie, but Jamie Kennedy plays Tim Avery, a struggling animator trying to balance family and ambition.
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